(1) They drifted in, to the smell of pork roasting and the dulcet tones of Billie Holiday.
(2) Of the 229 people detained as part of Operation Dulcet – the huge drive to bring lawbreakers to justice – 174 have been charged with offences including riotous assembly, affray, unlawful assembly, assault on police and criminal damage.
(3) Williams, 58, has reportedly learned to mimic Boyle's dulcet tones on a version of her audition song for the ITV talent show, I Dreamed a Dream.
(4) Think of writer and columnist Bryony Gordon’s revelations that her lover is so wrapped up in his job that he makes her have sex “to the dulcet tones of Jeremy Paxman berating an MP over the financial crisis”.
(5) Term for "female boss who doesn't always talk in the sweet dulcet tones of angels with the patience of a bank of saints": boss.
(6) Operation Dulcet is investigating rioting, hijacking of vehicles, attacks on politicians' offices, threats made against politicians, un-notified processions and social media-based offences.
(7) Preferable to a more sophisticated Zionist leadership that will throw sand in the eyes of the international community and talk in dulcet tones about a political agreement with the Palestinians, but will do all it can to prevent Palestinian independence.
(8) Still, it does give us the chance to hear the dulcet tones of Macy Gray again as she takes the reins midway through and carries the song to its heartfelt finale of – altogether now – "M.E.G.A, MegaUpload."
Melodious
Definition:
(a.) Containing, or producing, melody; musical; agreeable to the ear by a sweet succession of sounds; as, a melodious voice.
Example Sentences:
(1) Moments later, Strauss introduces the bold human character with an energetic, upwards melody which he titles "the climb" in the score.
(2) There’s an interesting thing with music like this, how the beat falls with the melody; they often say music is mathematical in construction and this is a very good example.
(3) A psychophysical scaling procedure confirmed that the constraints generated tone sequences bearing degrees of perceptual similarity to "real" melodies.
(4) A model of how people use this information to infer the metre of unaccompanied melodies is described here.
(5) Young children also are sensitive to melodic contour over transformations that preserve it (Study 5), yet they distinguish spontaneously between melodies with the same contour and different intervals (Study 4).
(6) We also know little about the relative aptitude for different musical components, especially melody and harmony.
(7) He presented a right-ear extinction in dichotic tasks, as well as difficulties in understanding and repeating verbal material and impaired identification of melodies.
(8) But the album for which she is being rightly acclaimed, 50 Words for Snow, as well as cleverly weaving together some hauntingly beautiful melodies with a characteristically surrealist narrative, also perpetuates a widely held myth about the semantic capaciousness of the Inuit language.
(9) The fact that "different" responses were both faster than "same" ones and quicker than melody offset indicates the use of a self-terminating search process.
(10) Particular tones were shifted in sequence such that a melody was heard which was undetectable by either ear alone.
(11) Children 4 to 6 years of age were exposed to repetitions of a six-tone melody, then tested for their detection of transformations that either preserved or changed the contour of the standard melody.
(12) The key distance effect reported in the literature did not occur in the tasks of this investigation (Studies 1 and 3), and it may be apparent only for melodies shorter or more impoverished than those used here.
(13) All subjects had high DAF indices on the complex melody, middle on the medium and low on the simple.
(14) Other melody variables are either fixed, randomized, or controlled.
(15) Another one is Melodies From Mars, which I redid about three years ago.
(16) Melody processing in unilaterally brain-damaged patients was investigated by manipulating the availability of contour and metre for discrimination in melodies varying, respectively, on the pitch dimension and the temporal dimension.
(17) In the first experiment, two opposite hypotheses were tested: The slow shifts might express subjects' acquaintance with the melodies or, on the contrary, the effort invested to identify them.
(18) Melodic themes of target melodies were defined by correlating contour-related pitch accents with temporal accents (accent coupling) during an initial familiarization phase.
(19) The present findings indicate that interpretation of a melody depends, in large part, on the characteristics of the "tonal" rules.
(20) In Experiment 1, all to-be-recognized melodies occurred both in an original rhythm, which preserved accent coupling, and in a new rhythm, which did not.