What's the difference between gramophone and stereogram?

Gramophone


Definition:

Example Sentences:

  • (1) A drop of the particle suspension is spread out on a flat disk or plate equipped with V-shaped grooves such as are present on a gramophone disk.
  • (2) Death by digital Jessops History: founded in 1935 by Frank Jessop in Leicester Collapsed: 9 January Jobs: 1,370, now redundant Stores: 200, now closed HMV History: traces its roots back to the turn of the 20th century and the first gramophone records, but the first Oxford Street store was opened in 1921.
  • (3) Its ground floor is decorated only in yellow, its first floor only in red; there’s Cole Porter on the gramophone and the Hatter himself serving in full costume.
  • (4) Francis Barraud painted Nipper in 1898, and sold the painting and the rights to the Gramophone Company two years later for £100.
  • (5) A neighbour brought a gramophone to spice up the act, and Joan became adept at increasing her wardrobe by asking the passengers for cast-off clothes.
  • (6) On the Sunday the pub will host a Big Lunch, where everyone will bring their own dish for a community party, and on Monday it is offering afternoon tea to music from 78rpm records on a wind-up gramophone.
  • (7) He was a frequent lecturer and after-dinner speaker and a fanatical proponent of American popular music: in the 1950s he produced a gramophone record entitled An Evening With Alistair Cooke - an unlikely combination of singing, whistling and blues numbers tapped out on the piano.
  • (8) At the conclusion of Awopbopaloobop , he predicted “formal works for pop choirs, pop orchestras; pop concerts held in halls … sounds and visuals combined … on something like a gramophone and TV set knocked into one”.
  • (9) The advertising strapline we created which sat alongside the iconic image of "Nipper" listening to the gramophone was "Top Dog for Music" and that's exactly what HMV was with record companies kowtowing to this all-powerful retailer, offering up millions of their own money to contribute to HMV's "co-operative" advertising.
  • (10) He also promised to help fix Burgess’s gramophone.
  • (11) Armchair executives may well say that HMV should have come up with a decent digital strategy earlier (these days, Nipper the dog would not be perched by a gramophone but plugged into an i-Something via a pair of white earbuds).
  • (12) There’s no reception desk, just an iPad-wielding greeter in a space decked out with baby grand piano, repurposed theatre seats, vintage spotlights and gramophone horn light fittings.
  • (13) They honeymooned in Central America, travelling to Panama on a Japanese freighter with two steamer trunks, 18 large valises and a gramophone - a parrot was acquired en route.
  • (14) Only now, with the release of Foreign Office and MI5 Burgess files to the National Archives, can Crankshaw’s exclusive report to the British authorities, and some intercepted correspondence about gramophone records, be read outside Whitehall.
  • (15) Part of that, even now, is down to the charm of that iconic logo, Nipper the dog listening intently to the gramophone, which inspired the His Master's Voice name back when Victoria was on the throne.
  • (16) He quickly progressed to the gramophone department and began presenting jazz programmes, but was thwarted by a head of variety whose objection to the sound of his voice compelled him to take elocution lessons.
  • (17) Nipper, the mascot dog who has looked quizzically down the gramophone trumpet in store windows for more than 90 years, will no longer hear His Master's Voice.
  • (18) They act as the bedrock for the BBC Proms, now easily the biggest classical music festival in the world, and the station was recently honoured by a Gramophone special achievement award for services to classical music.

Stereogram


Definition:

  • (n.) A diagram or picture which represents objects in such a way as to give the impression of relief or solidity; also, a stereograph.

Example Sentences:

  • (1) Prism fixation disparity curves were determined in three different experimental situations: the routine method according to Ogle, a method to stimulate the synkinetic convergence (Experiment I, with one fixation point as sole binocular stimulus) and a method to stimulate the fusion mechanism (Experiment II, with random dot stereograms).
  • (2) It was shown in experiment 4 that the depth edges of random-dot stereograms are not learned, whereas the results of experiment 5 indicate that the internal depth regions are learned.
  • (3) Comparing results of different stereotests, e.g., random-dot stereograms and the two-pencil test, provides some insight into different levels of cortical binocular interaction.
  • (4) Computer generated kinematograms, the motion domain equivalents of random dot stereograms, were used as stimuli in these experiments.
  • (5) While it is possible to construct stereograms which violate these matching rules, the rules work remarkably well in describing typical matching behaviour for many patterns.
  • (6) I have studied particular ambiguous random dot stereograms where multiple matches (that are equally possible) are available at each point.
  • (7) The use of dynamic random-dot stereograms (RDS) allows to investigate evoked potential components generated exclusively by cortical structures.
  • (8) Fusional vergence ranges were behaviorally determined for two rhesus monkeys and two human subjects using random dot stereograms as stimuli.
  • (9) We examined the hypothesis (Ono & Wade, 1985) that occlusion of far stimuli by a near one on the same visual line can operate as a depth cue in stereograms containing different numbers of targets in the two eyes.
  • (10) The discrimination of depth and pattern was investigated using random dot stereograms.
  • (11) The binocular disparity of a dynamic random-dot stereogram portraying a single flat plane alternated between two values symmetrical about the plane of fixation.
  • (12) Limits for acquisition and retention of fusion were similar for the large stereogram.
  • (13) In the present experiment, stereopsis based on spatial disparity cues was evaluated in cats using Julesz random-dot stereograms before and after sections of the optic chiasm, the corpus callosum or both.
  • (14) We used electro-oculographic recordings of eye movement responses to a dynamic random-dot stereogram to assess stereopsis in normal infants and in infants with congenital esotropia.
  • (15) But what metric should be used for random-dot images such as are commonly used in stereograms and kinematograms?
  • (16) Our simulations show that when our learning procedure is applied to adjacent patches of two-dimensional images, it allows a neural network that has no prior knowledge of the third dimension to discovery depth in random dot stereograms of curved surfaces.
  • (17) In the global stereopsis task, random-dot stereograms varying in binocular correlation were presented in random order, and subjects indicated if the squares perceived in depth were in front of or behind the screen.
  • (18) The production of eidetic-like imagery during hypnosis in subjects with high but not low hypnotizability was supported in three separate experiments using nonfakable stereograms (Julesz, 1971; Gummerman, Gray, & Wilson, 1972).
  • (19) We have measured these effects in three subjects using dynamic random-dot stereograms to isolate depth-axis effects.
  • (20) The effects of an external constant force bias on the information transmitted (Ti) by the direction of isometric force exerted in 2-dimensional (2-D) space by human subjects were studied using an isometric manipulandum and random dot stereograms generated in a color display (Massey et al.

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