What's the difference between lyric and melody?

Lyric


Definition:

  • (a.) Alt. of Lyrical
  • (n.) A lyric poem; a lyrical composition.
  • (n.) A composer of lyric poems.
  • (n.) A verse of the kind usually employed in lyric poetry; -- used chiefly in the plural.
  • (n.) The words of a song.

Example Sentences:

  • (1) Roberts can't really explain why Wu Lyf's lyrics are full of neo-biblical imagery – all blood and fire and crowns – nor why one of their main insignia is a cross, but he does admit that he got suspended from secondary school for putting a picture of Ho Chi Minh's face on Christ's body.
  • (2) In a series of experiments we found that 1) growth rates of hamsters offered the Lyric diet alone or in conjunction with the standard rodent diet exceeded those of hamsters offered only the standard rodent diet.
  • (3) Go Kings go!” The pun-filled press release issued by De Blasio also helpfully included the lyrics to Sinatra’s and Newman’s classic tunes, in case anyone had forgotten.
  • (4) Expecting defeat, but somehow clutching on to hope … Well, Frank [Skinner] and David [Baddiel] wrote that part of the lyrics, but the reason I got them in after the FA asked me to write a song was that I thought it was only worth making if it reflected how it feels to be a football fan.
  • (5) Having bought the album as a present for her 12-year-old daughter, Tipper Gore, wife of Al, was horrified by the lyrics to Darling Nikki.
  • (6) She had attitude to burn, though, while the Bristol crew were content to drift, their work rate informed by the slow pace of their native city and by what might be called the spliff consciousness that determined not just the bass-heavy pulse of their music but the worldview of their lyrics, which often tended towards the insular and the paranoid.
  • (7) We should strip our own national anthem back, and replace the lyrics with our own best-known meaningless word – “oi!” Unless of course Big Liz turns up, and then we can stick in those other words – but she’s not going to, is she?” Netherlands – Tinchy Stryder Facebook Twitter Pinterest Tinchy Stryder has had two UK No1 singles, Number 1 and Never Leave You.
  • (8) Today George Avakian, the jazz producer who befriended both of them, believes: “The session in which she did A Sailboat in the Moonlight is really the one that expresses their closeness musically and spiritually more than any other.” Facebook Twitter Pinterest Holiday admitted she wanted to sing in the style that Young improvised, while he often studied the lyrics before playing a song.
  • (9) He rapped – he was introducing Dr Carson to his lyrics and what he raps about.” He quickly added that “it was clean rap; his lyrics were all clean.” The conversation was some time ago, Williams said, while Carson was still at Johns Hopkins.
  • (10) "There are plenty of things she can wax lyrical about without getting into tricky areas: the upcoming first world war centenary, the need for a more global outlook in the economy, the inspiring achievements of British parliamentary democracy."
  • (11) Behind the dancing girls and schmaltzy lyrics that usually characterise pop songs, these men act as the all-oppressing eye of the industry: telling female singers that weight loss and sexual objectification are the only feasible routes to stardom; stripping down women in music videos to their underwear while leaving their male counterparts untouched.
  • (12) "And obviously, lyrics had to be approved by censors.
  • (13) The Heist features great songs, catchy, radio-friendly hooks and Macklemore's patented thought-provoking lyrics.
  • (14) "When people say your lyrics are quite dark, well, it's simple.
  • (15) But their lyrics soon alluded to "blood on the ground".
  • (16) Watching “our lads” pretending to mouth questionable lyrics about God giving the Queen near-immortal life, and her being the victor when she’s not really of fighting age, is silly.
  • (17) Berg sat with Leija on Thursday evening, learning to sing Chris Medina's What Are Words, which includes lyrics that could be considered unbearably trite were they not now so fitting: "And I know an angel was sent just for me, And I know I'm meant to be where I am, And I'm gonna be, Standing right beside her tonight."
  • (18) The Oscars special edition of Biz Extra, published on 26 February, published the pictures alongside the lyrics to Seth McFarlane's controversial opening song We Saw Your Boobs.
  • (19) The irony is that it's the very people (yes Fox and Friends, I'm talking about you) who go around waxing lyrical about the virtues of motherhood and conception that are also the most likely to be pushing policies that make it next to impossible for many women to even conceive of being a mother.
  • (20) Featuring handwritten lyrics and prose drawn from his notebooks and scraps of paper he kept in ringbinders, the selection was put together with the help of journalist Jon Savage .

Melody


Definition:

  • (n.) A sweet or agreeable succession of sounds.
  • (n.) A rhythmical succession of single tones, ranging for the most part within a given key, and so related together as to form a musical whole, having the unity of what is technically called a musical thought, at once pleasing to the ear and characteristic in expression.
  • (n.) The air or tune of a musical piece.

Example Sentences:

  • (1) Moments later, Strauss introduces the bold human character with an energetic, upwards melody which he titles "the climb" in the score.
  • (2) There’s an interesting thing with music like this, how the beat falls with the melody; they often say music is mathematical in construction and this is a very good example.
  • (3) A psychophysical scaling procedure confirmed that the constraints generated tone sequences bearing degrees of perceptual similarity to "real" melodies.
  • (4) A model of how people use this information to infer the metre of unaccompanied melodies is described here.
  • (5) Young children also are sensitive to melodic contour over transformations that preserve it (Study 5), yet they distinguish spontaneously between melodies with the same contour and different intervals (Study 4).
  • (6) We also know little about the relative aptitude for different musical components, especially melody and harmony.
  • (7) He presented a right-ear extinction in dichotic tasks, as well as difficulties in understanding and repeating verbal material and impaired identification of melodies.
  • (8) But the album for which she is being rightly acclaimed, 50 Words for Snow, as well as cleverly weaving together some hauntingly beautiful melodies with a characteristically surrealist narrative, also perpetuates a widely held myth about the semantic capaciousness of the Inuit language.
  • (9) The fact that "different" responses were both faster than "same" ones and quicker than melody offset indicates the use of a self-terminating search process.
  • (10) Particular tones were shifted in sequence such that a melody was heard which was undetectable by either ear alone.
  • (11) Children 4 to 6 years of age were exposed to repetitions of a six-tone melody, then tested for their detection of transformations that either preserved or changed the contour of the standard melody.
  • (12) The key distance effect reported in the literature did not occur in the tasks of this investigation (Studies 1 and 3), and it may be apparent only for melodies shorter or more impoverished than those used here.
  • (13) All subjects had high DAF indices on the complex melody, middle on the medium and low on the simple.
  • (14) Other melody variables are either fixed, randomized, or controlled.
  • (15) Another one is Melodies From Mars, which I redid about three years ago.
  • (16) Melody processing in unilaterally brain-damaged patients was investigated by manipulating the availability of contour and metre for discrimination in melodies varying, respectively, on the pitch dimension and the temporal dimension.
  • (17) In the first experiment, two opposite hypotheses were tested: The slow shifts might express subjects' acquaintance with the melodies or, on the contrary, the effort invested to identify them.
  • (18) Melodic themes of target melodies were defined by correlating contour-related pitch accents with temporal accents (accent coupling) during an initial familiarization phase.
  • (19) The present findings indicate that interpretation of a melody depends, in large part, on the characteristics of the "tonal" rules.
  • (20) In Experiment 1, all to-be-recognized melodies occurred both in an original rhythm, which preserved accent coupling, and in a new rhythm, which did not.