What's the difference between melodic and melodious?

Melodic


Definition:

  • (a.) Of the nature of melody; relating to, containing, or made up of, melody; melodious.

Example Sentences:

  • (1) Young children also are sensitive to melodic contour over transformations that preserve it (Study 5), yet they distinguish spontaneously between melodies with the same contour and different intervals (Study 4).
  • (2) The purpose of this pilot study was to investigate adult Ineraid and Nucleus cochlear implant (CI) users' perceptual accuracy for melodic and rhythmic patterns, and quality ratings for different musical instruments.
  • (3) "Huff was maybe sweeter and more melodic," Gamble agrees, warming to my notion that he was maybe the Lennon to Huff's McCartney.
  • (4) Melodic themes of target melodies were defined by correlating contour-related pitch accents with temporal accents (accent coupling) during an initial familiarization phase.
  • (5) The call to prayer blares out five times a day from a multitude of speakers across the city, some melodic others hellish.
  • (6) Experimental Series 2 showed that temporal and melodic parameters such as speed, rhythm, pitch range, and melodic structure also have clear and consistent effects on perceived urgency.
  • (7) But really, was this state of mind so alien from that of the composers who, at the turn of the 19th century and in the first decades of the 20th, sought to overturn the enlightenment conception of western classical music, with its formal properties of rhythmic, harmonic and melodic structure?
  • (8) Their eponymous debut, a melodic blend of guitar pop and dance beats released in 1989, is still regarded by many as one of the great first albums.
  • (9) Inspired by the idea of a city built around an airport (she grew up in Hounslow, near Heathrow), it leaves behind the constraints of any one genre, meandering through R&B-inflected garage (Beach Mode), instrumental grime (Backhand Winners) and Omar S-style stripped-back melodic techno (Eternal Mode).
  • (10) Expectations based on both familiarity and predictability were found to reduce restoration at the melodic level.
  • (11) By then, she was experimenting with a singing voice that was softer and more melodic than the harsh Jamaican patois she spat on the garage tracks.
  • (12) His flow is sick and the narratives he can weave over tough and gritty but surprisingly melodic beats are often nothing short of breathtaking.
  • (13) As this procedure proved not useful in this case, an adaptation of Melodic Intonation Therapy (signing plus an intoned rather than spoken verbal stimulus) was tried.
  • (14) The melodic pattern repeats itself several times throughout, then you have a mid eight, and for me the most thrilling part is the reprise, those rising notes, and then it hits the top.
  • (15) Global timing patterns reflected the hierarchical grouping structure of the composition, with pronounced ritardandi at the ends of major sections and frequent expressive lengthening of accented tones within melodic gestures.
  • (16) Many adult listeners are also able to consistently adjust two successive pure tones "one octave apart," which shows that they possess melodic octave templates.
  • (17) With Russians, what you see is a melodic thread in their dancing, an upper-body expressiveness that brings out another side of the work.
  • (18) Church's biggest hit – the melodic rock anthem Springsteen – has more in common with its titular hero than Nashville.
  • (19) Categorical perception was investigated in a series of experiments on the perception of melodic musical intervals (sequential frequency ratios).
  • (20) The relationship between melodic and text singing was also discussed.

Melodious


Definition:

  • (a.) Containing, or producing, melody; musical; agreeable to the ear by a sweet succession of sounds; as, a melodious voice.

Example Sentences:

  • (1) Moments later, Strauss introduces the bold human character with an energetic, upwards melody which he titles "the climb" in the score.
  • (2) There’s an interesting thing with music like this, how the beat falls with the melody; they often say music is mathematical in construction and this is a very good example.
  • (3) A psychophysical scaling procedure confirmed that the constraints generated tone sequences bearing degrees of perceptual similarity to "real" melodies.
  • (4) A model of how people use this information to infer the metre of unaccompanied melodies is described here.
  • (5) Young children also are sensitive to melodic contour over transformations that preserve it (Study 5), yet they distinguish spontaneously between melodies with the same contour and different intervals (Study 4).
  • (6) We also know little about the relative aptitude for different musical components, especially melody and harmony.
  • (7) He presented a right-ear extinction in dichotic tasks, as well as difficulties in understanding and repeating verbal material and impaired identification of melodies.
  • (8) But the album for which she is being rightly acclaimed, 50 Words for Snow, as well as cleverly weaving together some hauntingly beautiful melodies with a characteristically surrealist narrative, also perpetuates a widely held myth about the semantic capaciousness of the Inuit language.
  • (9) The fact that "different" responses were both faster than "same" ones and quicker than melody offset indicates the use of a self-terminating search process.
  • (10) Particular tones were shifted in sequence such that a melody was heard which was undetectable by either ear alone.
  • (11) Children 4 to 6 years of age were exposed to repetitions of a six-tone melody, then tested for their detection of transformations that either preserved or changed the contour of the standard melody.
  • (12) The key distance effect reported in the literature did not occur in the tasks of this investigation (Studies 1 and 3), and it may be apparent only for melodies shorter or more impoverished than those used here.
  • (13) All subjects had high DAF indices on the complex melody, middle on the medium and low on the simple.
  • (14) Other melody variables are either fixed, randomized, or controlled.
  • (15) Another one is Melodies From Mars, which I redid about three years ago.
  • (16) Melody processing in unilaterally brain-damaged patients was investigated by manipulating the availability of contour and metre for discrimination in melodies varying, respectively, on the pitch dimension and the temporal dimension.
  • (17) In the first experiment, two opposite hypotheses were tested: The slow shifts might express subjects' acquaintance with the melodies or, on the contrary, the effort invested to identify them.
  • (18) Melodic themes of target melodies were defined by correlating contour-related pitch accents with temporal accents (accent coupling) during an initial familiarization phase.
  • (19) The present findings indicate that interpretation of a melody depends, in large part, on the characteristics of the "tonal" rules.
  • (20) In Experiment 1, all to-be-recognized melodies occurred both in an original rhythm, which preserved accent coupling, and in a new rhythm, which did not.