What's the difference between timbre and tonality?

Timbre


Definition:

  • (n.) See 1st Timber.
  • (n.) The crest on a coat of arms.
  • (n.) The quality or tone distinguishing voices or instruments; tone color; clang tint; as, the timbre of the voice; the timbre of a violin. See Tone, and Partial tones, under Partial.

Example Sentences:

  • (1) Two possible versions of any instrumental timbre differed in the physical information used in their synthesis.
  • (2) Infants 7 to 8.5 months of age were tested for their discrimination of timbre or sound quality differences in the context of variable exemplars.
  • (3) We know, don't we, instantly when under the tutelage of a good teacher, we feel it in the timbre of their voice, we can feel the subtle, invisible flow of their good intention.
  • (4) Spectral properties appear to play a much larger role than dynamic properties in imagery for musical timbre.
  • (5) Fundamental frequency, pitch, timbre, and melody were analyzed with computerized electroglottography and sonography.
  • (6) These results suggest that timbre is perceived more in absolute than in relative terms.
  • (7) For fundamental frequencies in the human pitch range, many realizable timbres have vowel-like perceptual qualities.
  • (8) At the launch of a report by the all-party parliamentary group on women, she also called for an inquiry into sexism towards female MPs in the media, as anecdotally they tend to attract "superficial criticism about what we wear or the timbre of our voice, rather than what we say".
  • (9) Six listeners were asked to indicate whether perceived grouping of 49 such sequences was based on pitch proximity, timbre similarity, or ambiguous percepts not dominated by either cue.
  • (10) Voice clinicians, as well as singers, always correlate the assessment of the singing voice to the vocal and corporal gestures that model singing, and among these parameters, especially timbre.
  • (11) A possible explanation of the observed vowel timbres lies in the dependence of the short-time amplitude spectra on phase changes.
  • (12) 3, 45-52 (1979)] demonstrated that timbre differences could also bring about segregation.
  • (13) (1) When two complex tones contain different harmonics, do the differences in timbre between them impair the ability to discriminate the pitches of the tones?
  • (14) Recent studies have investigated the structure of perceptual relations among musical instrument timbres by multidimensional scaling (MDS) techniques.
  • (15) Previous reports have warned that tonsillectomy or uvulopalatopharyngoplasty (UPPP) may alter patients' speech by increasing the amount of nasal resonance as well as by changing voice timbre due to enlargement of the vocal tract.
  • (16) In recognition memory tasks, a target tone always appeared in a fixed position in the sequences, and listeners were instructed to attend to either its pitch or its timbre.
  • (17) Experiment 1, through the use of the Garner classification tasks, found that pitch and timbre of isolated tones interact.
  • (18) Harmonic complex tones comprising components in different spectral regions may differ considerably in timbre.
  • (19) The musical quality of timbre is based on both spectral and dynamic acoustic cues.
  • (20) Left hemisphere damaged aphasic patients were more accurate for target timbres over phonemes; the reverse pattern was found in the nonaphasic right hemisphere patients.

Tonality


Definition:

  • (n.) The principle of key in music; the character which a composition has by virtue of the key in which it is written, or through the family relationship of all its tones and chords to the keynote, or tonic, of the whole.

Example Sentences:

  • (1) Preliminary rhythmic somatic stimulation has a predominantly facilitating effect on EPs appearing in response to tonal stimuli in the areas A1, S2, S1.
  • (2) The stimuli were two simple tones in experiment 1 and two tonal complexes in both experiments 2 and 3.
  • (3) The influence of long-term knowledge and immediate context on the perception of tonal structure in polytonal music is discussed.
  • (4) This paper extends previous research on listeners' abilities to discriminate the details of brief tonal components occurring within sequential auditory patterns (Watson et al., 1975, 1976).
  • (5) The DLs for speech were similar to those for tonal complex stimuli in both the filled and unfilled conditions.
  • (6) Using tonal stimuli based on the nonspeech stimuli of Mattingly et al., we found that subjects, with appropriate practice, could classify nonspeech chirp, short bleat, and bleat continua with boundaries equivalent to the syllable place continuum of Mattingly et al.
  • (7) It captures the fact that the eclectic and inventive Adams - who cut his compositional teeth as a member of the minimalist school in the 1970s and 1980s, and then moved on into less strict forms of tonal music - is almost certainly America's most widely performed contemporary composer.
  • (8) Furthermore, the cumulative distribution function (CDF) calculated from the density histogram of the maxillary sinus has been employed to perform the tonal evaluation of the intra-maxillary pathological changes.
  • (9) Complementary examination should allow to not turn down definitely experienced pilots with a bad tonal threshold but with good psycho-acoustic performance.
  • (10) Tonally, at least, Mr Osborne did not deliver a 1981 austerity budget.
  • (11) In all the patients ERA were recorded, and in children over 3 years old tonal audiometry was performed.
  • (12) The surgical feasibility of multichannel implantation in patients with Mondini dysplasia should open the door for improved speech recognition and tonal discrimination in this subset of patients.
  • (13) Potentials evoked by tonal pulses and recorded with a monopolar electrode on the pial surface over the auditory cortex of the guinea pig are presented.
  • (14) There was a 50-Hz masker band centered on the 1250-Hz tonal signal, and four 50-Hz flanker bands centered at 850, 1050, 1450, and 1650 Hz.
  • (15) The results illustrate an interactive influence of pitch and temporal variables on musical perception and thereby highlight the need to incorporate dynamic pattern factors into internal representations of tonality.
  • (16) After kittens birth the range of changes narrowed and reactions with maximum amplitude were recorded in females to presentation of tonal bursts with frequencies which corresponded to spectral characteristics of their own kittens vocalizations.
  • (17) Test-retest reliabilities for the Tonal and Rhythm subtests were .81 and .86, respectively, for the retarded group.
  • (18) Results from the phonemic identification tests indicated that tones produced by alaryngeal speakers were not only perceived at much lower levels of accuracy than those produced by normal speakers, but the patterns of tonal confusions for alaryngeal speakers were also dissimilar to those for normal speakers.
  • (19) Twelve possums were anaesthetized with ketamine and chloralose-urethane, and recordings were made of extracellular unit discharges in the inferior colliculus during monaural and binaural tonal stimulation.
  • (20) Here, the broadband maskers consisted of three adjacent spectral bands--one centered on the frequency of the tonal signal, one low passed below the lower edge of the center band, and one high passed above the upper edge of the center band.